I think this thread is about dead. Who wants to continue arguing about the negative effects of leg steering AGAIN.
The justifications for eliminating any positive reference to leg steering have already been clearly explained in detail and with lots of compelling references and examples. Look at the many previous posts here on the subject and the other written materials available. I will start a couple of related threads that focus on some common misunderstandings of people trying to apply PMTS to their own skiing in an attempt to get better.
I also feel compelled to make a few quick comments here.
1. Leg steering. Right. Nough said. People do it every day that is not in dispute, but that doesn?t mean it?s the preferred thing to do. For me, I try everything in my power to avoid it. Power is not down that path.
2. PMTS is not about just teaching carving ? though the movements that start out a beginner are the same ones that produce high level carving. As a beginner, one learns the phantom tip drag. If the stance ski is held flat and the free foot tipped the person will turn, but also skid. The relationship of the tipping angles determines how much skid results. It?s easy to hockey stop with inversion/eversion alone (no steering). In fact it?s much faster and easier to control with just those movements.
3. Ott made some sarcastic remarks that if it?s so easy to just tip then there?s no need for instruction. Ott, knows he is simply being sarcastic and not helpful here. However, in some aspects his comment is true. People who learn to use primary movements move through levels of skiing much faster. TTSs rope people into more instruction with poorer quality results. Much of this situation is because In PMTS, there is a common set of movements that can be applied throughout one?s skiing and those movements are very precisely defined. TTSs are based on teaching large maneuvers and bags of different skills/tricks for different conditions and purposes ? often the exact definition or purposes of those maneuvers/tricks are vague and vary from instructor to instructor. This is why there is such an emphasis on fitting the skill to the purpose. And why instructors try to develop a large bag of exercises and tricks. So in this respect PMTS is more systematic, much simpler, better defined, and easier to learn. So, I would have to agree with you on this Ott.
4. The picture of Peter Kelty does not indicate any leg steering. He is nicely countered and stacked. Note how the skis and legs are nicely aligned going in one direction (where he is looking) and the hips and shoulders are nicely countered against the turn. I also like the obvious inside leg flexion.
[Sorry the arrow to the right reads "direction of travel" and the arrow to the left reads "direction of counter"]
I will post a thread today on differences in models of upper/lower body coordination between PSIA and PMTS that should address this further and also clarify why TTS movement analysis is so often inaccurate on this issue ? why they mistakenly tend to see leg steering when we see obvious counter.
5. There is no unweighting in any traditional sense in PMTS. PMTS recognizes parts of the turn that are less pressured, but the skis are not lightened in oreder to change their direction. And though it can be easier to tip thenm when they are lighter, they can also be tipped weighted, and the turn doesn't happen until they are tipped and pressured.
In PMTS, turns are made in contact with the snow, not in the air. To the extent that you are turning in the air, you are not skiing. Hop turns are useless as a skiing skill. If you hopped down a slope, you hopped down it. You didn?t ski down it. Simple as that. Staying connected to the ground is the most balanced way to ski bumps and all mountain terrain and it?s also the fastest in a course. Being an ex-bumper and arialist, I?m all for getting air, but it is not a component of a PMTS turn.
6. In PMTS there is no ?anticipation? or ?unwinding of the legs into the new turn? in any way similar to what happens in TTS models of ULBC. ? see my upcoming topic for further info on this.
7. Bode Picture/ description.
The quotes are from
http://www.skiracing.com/news/news_display.php/1905/
Bode says he uses two types of turn. One is the traditional carved turn and the other is a skidded turn. The skidded turn is used in situations in which there is more horizontal distance between the gates than can be covered with a clean carved turn. In a more normal gate set the carved turn is faster. In the more horizontal gate set, the skidded technique allows a more direct line to allow him to ?pitch? himself across the hill before he engages his edges all at once.
?So I kind of make up time on both ways. I make up time on the clean side by going faster, and then on the other turn by cutting off so much of the line.?
He used ?pitch? and ?skid? to describe his movement. Another description might be ?drifting" across the hill to the next gate. Harald has commented that this horizontally wide style of gate setting has been showing up here and there in somne courses and that this is why the drift is needed. In other words it is something about the gate setting and not anything about what is good technique in general. Is this a trend? Is it good setting? I?m in no position to say. But it?s clear that Bode describes his change in turn technique in the context of this style of gate setting. Given other gate patterns he does a clean carve because it?s fastest. Further, this is something that I can't imagine doing much in normal skiing. I can't thing of the last time I felt a need to drift across the hill from high speed carve to high speed carve.
But how does Bode accomplish the drift turn? Looking at the montages, I don?t see any evidence of leg steering and he doesn?t mention anything about leg steering. He says two things. First he uses the verb ?pitch? as in throw yourself across the hill. This could suggest an upper body motion or whole body motion. This would be consistent with his tendency to sometimes airplane the first part of his turns and then get on it when the pressure builds. However, that alone would be pretty hard to control. Further in the article he describes how the drifting is affected by, and controlled with differences in edge angles (tipping rather than steering):
?The pitching that I do, I usually do on my right foot. It?s sort of by design. I have a lot less edge on my right foot, and more edge on my left foot.?
I am able to pitch on my right foot because I have a lot less edge, so I can have a high edge angle and slide into the turn, killing some speed but having basic control over it, and then drop everything in at once.?
This could be done by having less edge angle than one should for the general energy of the turn, but I also think it is interesting that Bode finds it easier to do when his flatter aligned foot is the stance foot. This would suggest that it is also an effect similar to the lowly phantom drag. Flatten the stance edge more than the free foot edge and you begin to drift. It?s in this situation that he claims to have more control over his skid. Interesting.
As he describes it, the gate set forces everyone to skid somewhere in the turn. If you tru to carve the gate you have to skid at the bottom of the gate before and also lose speed around the horizontally wide gate. He choses to skid the top of the turn around the horizontally wide gate and thereby carry more speed.
Leg steering? I don?t see it in the montage and he doesn?t discuss it. Instead he discusses something much more consistent with a differential tipping/edging phenomenon. Maybe "pitch might suggest some whole body airplane movement (that many have noted is a part of the untamed side of Bode's technique), but then Bode himself also describes the difficulty others at his caliber have trying to imitate this. I think I'll leave it alone.